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LAST UPDATED: 29 May, 2022 17 PEOPLE USED
Answer By: Lauren Kelly
The good thing is to remove to assign the COMP OFF and that this makes all the grouped bands unaware that there might be some levels beyond 0dB that we need to compress. As well as ensure that bands aren’t mixing the sound, thus giving an individual sound level of the bass.
Answer By: Ted Hazen
The compression tutorial covers: ⬤ How you can compress Kicks, Bass, Sub Bass, Claps, Percussion, Plucks & Vocals. ⬤ Parallel Compression, Sidechain Compression, Bus/Mastering Compression & Compression from other elements. ⬤ How to look at compression from two different angles. ⬤ How to control vocal levels. ⬤ How to shape sub basses for more ...
Answer By: Frederick Wust
Cheeky answer: Compress bass freqs when you want less dynamic range. Better answer: Bass frequencies should be compressed to compliment the dynamics of the song. If you have a thumping, 'bumpy' bass, then use less compression, lower ratios, higher attacks, to ...
Answer By: Virginia Jackson
Pretty much just to make it consistent. 3. level 1. xxcoletrain. · 1y. I usually see some type of harmonics on the sub in mixes. You can achieve this by adding compression, distortion, synthesising them, or all of the above. If your mix has room for it and you want your sub to have more presence then do it.
Answer By: catrina sumner
We compress synths about 3dB with a ratio in between 2:1 to 5:1. If the saw synth has a long attack and release you might want to give the compressor a lower ratio to keep a subtler dynamic sound. With a long attack of the synth, the attack of the compressor can be shorter and with a softer knee.
Answer By: Margo Thompson
Sometimes I will compress it to CREATE dynamics but putting some attack on the front of it. I usually have to add some harmonic distortion of some kind to get the damn bass audible. A much better choise for a sine wave bass is to use a square wave and LPF the snot out of it almost to the point of turning it into a sine wave, but stopping just
Answer By: George Demeter
In some cases i might compress the upper range of a bass using the sidechain filter on the compressor to make it react only to higher frequencies. But it depends a lot on the sound. Short stabby sounds might need different treatment compared to long subby stuff or distorted gritty sounds.
Answer By: George Demeter
Heavily Compress the Low End of The Bass Another thing you can do to help control and smooth out your low end is to heavily compress the sub lows. You can use a multiband compressor to do this, so that you're only targeting the very low end.
Answer By: Henry Raczkowski
loving opto style compressors on bass. Smack! in opto mode is awesome. I use the bomb factory 1176 a lot too. Digirack compressor will do a job. Sans amp plug and lo-fi get used a fair bit and i'll usually go for another opto plug on the bass bus with the kick sidechained to it, knocing off another 2 or 3 dBs.
Bass synth tends to require quite a bit of compression. But simply smashing your track with a compressor will suck the life out of it. Instead, try using serial and parallel compression to create the sound you’re looking for.
StudyBass >gear >bass effects >bass compressor settings. Compressors usually have an adjustable threshold setting. The compression threshold is the volume level (gain) at which the compression effect is engaged. Any signal passing through the compressor which is louder than the threshold setting will be compressed.
Compression will make the bass sound more even and consistent. By turning down louder notes in a performance, it will help each note play back at a more equal level. This will add solidity to the bass and help it sit better in the mix.
If you find yourself continually adjusting the bass fader during the course of the mix, this might be a clue that you need to compress the bass. If certain notes are getting lost in the mix, while others are too loud, this is also a clue that some compression might be needed. Programmed bass parts may not need any compression.
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